My pop-culture mind is gushing with glam in light of the much anticipated remake of The Great Gatsby. Truth be told, I may actually be gushing for the fact that Baz Luhrmann is at the helm. Moulin Rouge, Romeo + Juliet, seriously the term epic is an understatement for this man (at least I think so). What more, is his equally epic soundtracks which have become a staple of Luhrmann films. Dropping today, the overly hyped soundtrack of his latest film is now gloriously in our lives. Often enough, Luhrmann has used this crafted “fine-tuned” story-telling additive to each film, giving extraordinary of-the-now relevance. Jay Z, Florence and The Machine, and Beyonce covering Winehouse, again epic is an understatement.
In the past few days I have been power re-reading the F. Scott Fitzgerald classic trying to give my own imagination a shot of out-doing Luhrmann’s. Which I know come this friday will possibly be an epic-fail on my part. The music however has already encapsulated me in world of Art Deco merely lacking the income of Mr. Gatsby. The overly indulgent and overwhelming visual delusions I have had right here in my local cafe have only grown now with my iPod perfectly synced.
For as young as I can remember, I have oddly been attached to films and their soundtracks no matter their genre. I remember being transported to middle of nowhere America with Oh Brother Where Art Thou, to the sands of the east coast with Beaches, and a digital frontier with TRON.
Some of the best moments in film came from their marriage with the soundtrack. Whitney Houston’s Body Guard, really, need I say more! So as these tracks yet again transport me into a make believe world, I tapped local Music blogger Nicole Crane, Flannel Friction, to join me in a musical tour of Gatsby.
In a part two Q&A with Nicole, I ask, was the hype all worth it? Is the marriage of music and movie a good one? Our CoversaSean lead to a great discussion on the new soundtrack, some of our past favorites, even motivating us to master mind our own track list creations.


